About the exhibition

Recipient of a 2024 Françoise Demulder Grant

On August 15, 2021, following the withdrawal of the United States, the Taliban returned to power in Afghanistan, twenty years after they had been driven out. As soon as they returned, a veil of darkness fell over the country. The media were silenced, girls were excluded from secondary education and music was banned. Women were once again ordered to cover themselves from head to toe: in cities, the veils of long black abayas float alongside electric blue burqas. Excluded from most workplaces and social venues, women have been erased from the public domain and confined to their homes. This exclusion is all the more painful for women in the cities who were encouraged by the West to become emancipated and see the world differently.
As a theocracy was gradually established, I tried to document women’s tragic daily lives: their confinement, but also their resilience. I wanted to paint the portrait of a subjugated society which is trying to adapt and resist against increasingly repressive laws.

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The story behind the image

Sandra Calligaro / item

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Since 1989, the Visa pour l'Image International Photojournalism Festival has offered an annual window on the world in Perpignan. It is a unique opportunity to look back on the events of the past year, covering a range of topics and perspectives related to social issues, conflicts, and observations on the state of the world.

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