About the award
At the end of June, photo editors from international magazines select the winner of the Ville de Perpignan Rémi Ochlik Visa d’or Award.
The award is given to the young photographer who has produced the best report, either published or unpublished, in the previous year. The Ville de Perpignan sponsors the prize of €8,000.
Application details
Application deadline: no applications required
Registration: free
Prize: 8,000 euros
Previous winners
2024 - Gaëlle Girbes for "Ukraine, Surviving Amidst the Ruins".
"Ukraine, Surviving Amidst the Ruins" is a project that Gaëlle Girbes intends to pursue by visiting devastated towns and villages and bearing witness to the incredible resilience of a fragile population surviving in the ruins of the biggest conflict in Europe since the Second World War.
2023 - Paulo Manzo for "Naples, the Invisible City"
The continuation of his report on Naples, in which he highlights the dark and sometimes tragic consequences of the economic inequality, social injustice, and urban segregation that are so prevalent in Naples.
2022 - Laura Morton for "Wild West Tech"
The final chapter of her project on automated technologies and the resulting massive structural changes in Silicon Valley.
2021 - Mary F. Calvert for "Dying of Justice"
A long-term study on the alarming suicide rate among male victims of sexual trauma in the US military.
2020 - Jerome Gence for "Teleworking: Hello, office, Bobo"
Jérôme Gence explores the highly topical subject of changing working methods, asking the question: “What trends are going to emerge among companies and their employees?"
2019 - Axelle De Russée for "On the Outside"
In France, women account for 3.6% of the prison population. An invisible minority. Ostracized, isolated, their reintegration is an obstacle course. Axelle De Russée sets out to show how they live "on the outside".
2018 - Jérôme Sessini for "The Opioid Crisis" in the United States
A scourge that kills more people than murders or terrorist attacks.
2017 - Romain Laurendau for "Dikas"
The secret and clandestine places in Algeria where young people can experience freedom in all its forms, far from the gaze of society and its dangerous stigmatization.
2016 - Ferhat Bouda for "The Berbers"
A long-term project in black and white on the Berber people.
2015 - Alfonso Moral for "Syria Street"
The consequences of the Syrian conflict on the city of Tripoli, where two communities survive: the Alawite supporters of Bashar al-Assad, and the Sunnis, separated by Syria Street. On both sides of the front line, young men clash in a recurring conflict that has become a grim routine for them.
2014 - Kosuke Okahara for "Any Given Day".
A long-term project on drugs in Colombia that shows the endless cycle of violence in Cali. Cali, the center of cocaine production, is ranked among the 10 cities in the world with the highest crime rate.
2013 - Arnau Bach for "Marseille"
Arnaud Bach explores the inner-city neighborhood, known for its high crime rate, where traditional fishermen have gradually seen their share of the port diminish and residents have been forced to leave the working-class neighborhoods of the city center.
2012 - Maciek Nabrdalik for "Economic Migration".
Maciek went to Portugal, where immigration has dropped by 40% since the economic crisis hit. He focused on Anabela, a young artist who decided to leave Lisbon and start a new life in London.
2010 - Lizzie Saadin for "Promised Land, Promised Women"
The trafficking of women and teenage girls in Israel. Every year, between 3,000 and 5,000 women and teenage girls are victims of human trafficking and brought to Israel to work mainly in the sex trade.
2009 - Masie Crow for "Lost in the Cycle of Poverty".
The emotional effects that poverty can have on an individual, through the eyes of a young woman, April, who lives well below the poverty line in southeastern Ohio.
2008 - Jean Chung for "Tears in the Congo"
Jean spent time with women in the Congo who have been raped and sexually abused. Her work shows the physiological, psychological, and social consequences of the horrors they have endured.